Are we writing an autobiography by leaving our traces on social networks, every day? What about the large quantities of other digital traces we leave behind in our lives?
What happens when non-human and algorithmic subjects/entities come into play, increasing the complexity of our interactions and influencing the process of construction and perception of the self?
We progressively expose ourselves more, every day, consciously and unconsciously, with consequences that are difficult to grasp: about time, identity, memory, rights.
For the Streaming Egos project we have decided tackle this topic and analyse the uncertain territories/boundaries of the “I” and “self” asking ourselves who (and/or what) is the author of our autobiographies in the hyper-connected and syncretic world we live in.
This article is an attempt to summarize and put together the elements emerged from the process.